If you did not see the multi-award-winning ‘The Exonerated’ ten years ago, now is your chance. Culture Project, on 45 Bleecker Street in the Village, celebrates the 10th anniversary of the play in special association with The Innocence Project. Written by Jessica Blank and Erik Jensen, directed by Bob Balaban, ‘The Exonerated’ is a stunner.
To say the play is an epic is an understatement. Six characters, only connected by the fact that they were all wrongly convicted and sat on death row for years, and then exonerated. What they lost is irreplaceable. Irrevocable. Their youth, livelihood, family, husbands, brothers, children. And time. So much time.
But none of this epic is fictional; Blank and Jensen have used only the words, interviews, court transcripts of the people involved, and made up nothing. That is what makes this evening in the theater, listening to these stories, so compelling. The words. The truth of what happened.
This is not a re-enactment. The stage is bare, except for a row of chairs and black stands holding scripts. The words of the six are entrusted to a rotating cast of formidable actors: Stockard Channing, Brian Dennehy, Delroy Lindo, Chris Sarandon, JD Williams, Curtis McClarin.
The vagaries of the US judicial system are explained succinctly by Sarandon’s Kerry Max Cook, who spent twenty-two years on death row, was raped, sodomized and branded in prison, lost his brother and was then blamed for the death by his mother, and was not compensated (none of the exonerated in this play were) for any of Texas’s error: “I came from a good family. If it happened to me, it could happen to anyone.”
But perhaps the saddest story was Channing’s Sunny Jacobs, who was at the wrong place, wrong time, and only trying to protect her young children. Her husband, Jesse Joseph Tafero, also wrongly convicted, was executed in Florida, and made headlines because the electric chair malfunctioned and it took an inordinately long and painful time for him to die.
Exonerated? Yes. But the loss these people suffered is immeasurable.
The night I saw “The Exonerated” the real Sunny Jacobs was in the audience. After the performance, Channing brought her onstage, supported by a cane and walking unsteadily. Jacobs thanked the cast, thanked Channing, and thanked the audience for listening. She thanked the playwrights for “giving a voice to those who have none.” Then she cried.